Chris Bowman, Abby Mohaddes and Adam Volerich to Curate Art of Brooklyn Film Festival’s 16th Season

The 16th Art of Brooklyn Film Festival will stage screenings across multiple Brooklyn venues in early June, requiring nightly transfers of Digital Cinema Packages (DCPs), projection gear and production equipment between sites with planned load-in windows of 90–120 minutes. Event logistics call for coordinated courier routes, vehicle capacity planning for trunks and van bays, and scheduled airport and rail pickups for visiting filmmakers to avoid delays during busy evening programs.

Curatorial Team at a Glance

Art of Brooklyn Film Festival invited three guest curators to collaborate with co-founders Joseph Shahadi and Anthony DeVito on programming the 16th season. Each curator will lead a distinct strand of the lineup, ensuring a mix of narrative and documentary work across shorts and features.

Who the Curators Are

• Chris Bowman (they/them) — A queer, nonbinary filmmaker and production designer who centers queer and trans characters in genre narratives. Active in NYC production since 2018, Chris earned an MFA in Directing from Feirstein Graduate School of Cinema (Brooklyn College) in 2024 and received two nominations for National Board of Review Student Grants. In 2025 they were named Outstanding Director of a Narrative Short at AoBFF for BUTCH ROBINSON AND THE STOLEN SOULS.
• Abby Mohaddes — A Brooklyn-based filmmaker and actor who launched Mohaddes Productions in 2023. Her debut feature documentary, 500 YEARS OF FRIENDSHIP (2024), documents her father and his college cohort from the University of Nebraska in the 1970s; the film won Outstanding Feature Documentary at AoBFF 2025 and was later licensed by the University of Nebraska Alumni Association. Abby is a SAG‑AFTRA member with a BFA from NYU Tisch.
• Adam Volerich — An NYC filmmaker and podcast producer whose shorts and features have screened worldwide. His short MISPRINT premiered on Omeleto; his feature directing debut DRINK AND BE MERRY is available on VOD and Blu‑Ray. Adam co‑created the film podcast EYE OF THE DUCK (Morbid Podcast Network for Sirius) and produced narrative fiction podcasts such as AMERICAN HOSTAGE (Amazon Originals) and THE FOXES OF HYDESVILLE (QCODE).

Programming and Submission Details

Submissions for the 16th annual AoBFF are open through Huhtikuu 17, 2026. Filmmakers should prepare deliverables with exact technical specs, advance prints and contact details for freight coordination. Festival administrators commonly request:

1. Final DCPs or approved screening files
2. Stage and projection rider details
3. Contact for on-site technical support
4. Arrival windows for visiting talent and crew

Logistics Checklist for Visiting Filmmakers

To have a mind to avoid stress, filmmakers and producers are advised to confirm the following before arrival:

• Vehicle arrangements: cargo vans or small trucks for sets and props, passenger cars for talent transport
• Lentokenttä pickup: exact flight times, baggage claim logistics, and possible delays
• Load-in schedule: door times and parking permits at each venue
• Insurance and license: equipment insurance, driver license verification, and venue access credentials

How Transport and Transfer Services Matter

Film festivals are not only cultural events but supply-chain operations: gear must move on time, guests must reach venues punctually, and cargo manifests must be reconciled across locations. Reliable taxi and transfer services, private seater vans, and courier companies reduce the risk of missed projections and late Q&A sessions. For organizers, knowing the exact capacity of a vehicle and the driver’s credentials is invaluable when juggling multiple venues across a dense urban borough like Brooklyn.

At a glance, coordinated ground transport affects overall attendee experience: on-time shuttles for press and jurors, properly sized vehicles for set cases, and transparent fares to forecast budgets are all part of a smooth festival run.

Practical Tips for Booking Transfers and Vehicles

• Plan for peak-hour traffic in Brooklyn; add buffer time for every airport pickup.
• Choose vehicles by cargo volume, not just passenger count — a 4‑seater car may not hold two pelican cases and a tripod.
• Confirm driver familiarity with festival venues to ensure correct curbside access.
• Request itemized pricing and fare estimates to compare options and avoid surprise charges.

Although this festival is primarily local in scope, it contributes to cultural tourism and can slightly raise demand for airport transfers and local cab services during the event week, which is relevant when planning transport resources.

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Final takeaways: the 16th Art of Brooklyn Film Festival’s guest curators Chris Bowman, Abby Mohaddes, and Adam Volerich bring focused programming that will shape narrative and documentary lineups across Brooklyn venues. Logistics—vehicle selection, airport pickups, fare transparency and exact scheduling—play a decisive role in execution. For anyone traveling to the city or coordinating shipments, plan your transfers in advance, check driver licenses and vehicle specs, and confirm prices and seat capacity. Using platforms that display vehicle make, model and driver ratings can save time and money when you book a taxi, private car, limousine or seater van. Whether you need a cheap cab for a quick transfer or a private car for producers and talent, clear information on fares, drivers and app‑based booking helps you get to your destination exactly when you need to—so book in time and know how much the service will cost. GetTransfer.com supports these needs globally, offering transparent, user‑friendly options to book transfers, trips and deliveries with confidence.